André Kertész
Use attributes for filter ! | |
Gender | Male |
---|---|
Death | 39 years ago |
Date of birth | July 2,1894 |
Zodiac sign | Cancer |
Born | Hungary |
Date of died | September 28,1985 |
Died | New York |
New York | |
United States | |
Artworks | Satiric Dancer |
Meudon | |
Washington Square | |
On view | San Francisco Museum of Modern Art |
The Nelson-Atkins Museum of Art | |
Denver Art Museum | |
Full name | Kertész Andor |
Spouse | Elizabeth Saly |
Job | Photographer |
Journalist | |
Parents | Ernesztin Hoffmann |
Lipót Kertész | |
Works | Satiric Dancer |
Fork | |
Meudon | |
Awards | Guggenheim Fellowship for Creative Arts, US & Canada |
Nationality | American |
French | |
Hungarian | |
Date of Reg. | |
Date of Upd. | |
ID | 440052 |
On Reading
André Kertesz
André Kertész: Sixty Years of Photography
Andre Kertesz: His Life and Work
Paris, Autumn 1963
Distortions
From My Window
André Kertész: sixty years of photography, 1912-1972
J'aime Paris: Photographs Since the Twenties
Washington Square
André Kertész: Of Paris and New York
Of New York . . .
Kertesz: Photographs
ANDRE KERTESZ: PORTFOLIO
Dans New York
André Kertész and Avant Garde Photography of the Twenties and Thirties: 25 February-10 April 1999
Lectures
André Kertész, Charles Harbutt, Joan Lifton, Our Memory
André Kertesz
André Kertész: Sixty Years of Photography
Andre Kertesz: His Life and Work
Paris, Autumn 1963
Distortions
From My Window
André Kertész: sixty years of photography, 1912-1972
J'aime Paris: Photographs Since the Twenties
Washington Square
André Kertész: Of Paris and New York
Of New York . . .
Kertesz: Photographs
ANDRE KERTESZ: PORTFOLIO
Dans New York
André Kertész and Avant Garde Photography of the Twenties and Thirties: 25 February-10 April 1999
Lectures
André Kertész, Charles Harbutt, Joan Lifton, Our Memory
André Kertész Life story
André Kertész, born Andor Kertész, was a Hungarian-born photographer known for his groundbreaking contributions to photographic composition and the photo essay. In the early years of his career, his then-unorthodox camera angles and style prevented his work from gaining wider recognition.