
Eduard Haken
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Gender | Male |
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Death | 28 years ago |
Date of birth | March 22,1910 |
Zodiac sign | Aries |
Born | Shklyn' |
Ukraine | |
Date of died | January 12,1996 |
Died | Prague |
Czechia | |
Spouse | Marie Glázrová |
Albums | Dvořák: Rusalka |
Kovařovic: The Dogheads | |
Job | Opera singer |
Songs | Teseo, HWV 9: Atto II - Arioso: Dolce riposo ed inoccente pace |
Král a Uhlíř: Act I | |
Don Giovanni, . , Act II: Don Giovanni, a cenar teco | |
Les Huguenots, . : Oh, Protect Them, My Gott - War Song | |
Don Giovanni, . , Act I: Notte e giorno faticar | |
Don Giovanni, . , Act II: O statua gentilissima | |
Don Giovanni, . , Act II: Ah, ah, ah, questa é buona | |
Debora: Act I | |
Silbermond-Arie Rusalka, Akt I: Měsíčku na nebi hlubokém | |
Debora: Act II, Part 2 | |
Debora: Act III | |
Rusalka, . , Act I: O, Moon High up in the Deep, Deep Sky | |
Rusalka, . , Act I: He Comes Here Frequently | |
Rusalka, . , Act II: Strange Fire in Your Eyes Is Burning | |
The Bartered Bride, . : Every Man Maintains - I Know a Girl | |
Rusalka, . , Act I: Ho, Ho, Ho! | |
Zar und Zimmermann, . , Act I: O, sancta iustitia | |
Glagolitic Mass, . : Introduction | |
Rusalka, . , Act III: Do You Still Know Me, Lover? | |
Le postillon de Lonjumeau, . : I'm the Biggest Pride of Strifes | |
Two Widows, . : Act 1 | |
Rusalka, . , Act I: Beautiful Vision, Delightful | |
Král a Uhlíř: Act II | |
Glagolitic Mass, . : Agnus Dei | |
Oedipus Rex, . : Prologue - Acte I | |
Eugene Onegin, . , Act III: . | |
Eugene Onegin, . , Act III: Ach, láska klíčí v každém věku | |
Two Widows, . , Act II, Scene 6: When Anything at All Bothers Me | |
Glagolitic Mass, . : Gloria | |
Debora: Act II, Part 1 | |
Rusalka, . , Act II: Pitiful Rusalka Pallid | |
Oedipus Rex, . : Acte II | |
Movies/Shows | Pan Vok odchází |
Psohlavci | |
Antigona | |
GENUS | |
Blues for E. F. B. | |
Date of Reg. | |
Date of Upd. | |
ID | 1191599 |
Eduard Haken Life story
Eduard Haken was a Czech operatic bass who had a lengthy career at the National Theatre in Prague during the 20th century. Although he mostly performed within his own nation, Haken did appear at a number of important international music festivals and opera houses in Europe while traveling with the National Theatre.