Elaine Comparone
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Gender | Female |
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Born | Lawrence |
Massachusetts | |
United States | |
Genres | Classical |
Albums | The Queen's Chamber Band Plays Mozart |
Record labels | Arabesque Records |
Essay Recordings | |
Lyrichord Early Music Series | |
Lyrichord Discs | |
Job | Harpsichordist |
Education | Brandeis University |
Songs | Sonata For Harpsichord In B Minor K 27 |
Sonata For Harpsichord In F Minor K 239 | |
Sonata For Harpsichord In F Minor K 183 | |
Concerto in F Major for Harpsichord, Flute, Oboe and Strings, BWV 1057: III. Allegro Assai | |
Concerto in F Major for Harpsichord, Flute, Oboe and Strings, BWV 1057: II. Andante | |
Concerto in F Major for Harpsichord, Flute, Oboe and Strings, BWV 1057: I. Allegro | |
Gallop Apace You Fiery-Footed Steeds | |
Harpsichord Concerto in D Minor, BWV 1052: II. Adagio | |
Havana Overture | |
Harpsichord Concerto in D Minor, BWV 1052: I. Allegro | |
Harpsichord Concerto in D Minor, BWV 1052: III. Allegro | |
L'Agacante | |
La Boucon | |
Concert 1- La Coulicam | |
Echoes From A Distant Land | |
Concierto I in C Major for Two Keyboards: I. Andante | |
La Timide | |
Concert 2- La Labonde | |
Sonata No. 1 in G Major, BWV 1027: IV. Allegro moderato | |
Brandenburg Concerto No. 5, 1050: IV. Allegro | |
Keyboard Quartet In G Minor, KV 478: Allegro | |
Keyboard Quartet In G Minor, KV 478: Rondeau | |
Concerto in F Major for Two Harpsichords: I. Allegro e moderato | |
Five Pieces for Two Harpsichords: La Julliet | |
Thomas Morley - Can she excuse | |
Trio Sonata IV in E Minor - for Oboe & Harpsichord, After BWV 528: II. Andante | |
Concerto in C Minor - for Oboe, Violin, Strings & Basso Continuo: I. Allegro | |
Five Pieces for Two Harpsichords: Allemande | |
Five Pieces for Two Harpsichords: Muséte de Choisi: Muséte de Taverni | |
Concerto in F Major for Two Harpsichords: III. Presto | |
Five Pieces for Two Harpsichords: La Létiville | |
Date of Reg. | |
Date of Upd. | |
ID | 1456824 |
Elaine Comparone Life story
Elaine Comparone is an American harpsichordist. Born in 1943, in Lawrence Massachusetts, she is known for playing in a standing position before a specially adapted Dowd instrument.