Félia Litvinne
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Gender | Female |
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Death | 88 years ago |
Date of birth | September 12,1860 |
Zodiac sign | Virgo |
Born | Saint Petersburg |
Russia | |
Date of died | October 12,1936 |
Died | Paris |
France | |
Genres | Classical |
Record labels | Fonotipia Records |
Albums | The Golden Age of Singing, Vol. 1 |
L'art français du chant, Vol. 7 | |
L'âge d'or de l'Opéra de Paris (Mono Version) | |
Job | Singer |
Songs | Dichterliebe, Op. 48: No. 7. Ich grolle nicht |
Die Walkure, Act II: Hojotoho! hojotoho! Hei a ha! | |
Les berceaux, Op. 23, No. 1 | |
Le Cid: Air de Chimene | |
Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre a ta vox … | |
Garol'd, Op. 45: Berceuse d'Harold | |
Sapho, Act III: O ma lyre immortelle | |
Tristan und Isolde: La mort d'Isolde | |
Faust, Act III: Seigneur daignez permettre | |
L'Africaine: Sur mes genoux | |
Judas Maccabaeus, HWV 63: See, the Conqu'ring Hero Comes! | |
Aida: Act I - Le Mots Sacrés | |
Lohengrin, WWV. 75: Einsam in trüben Tagen | |
Act III: Seigneur daignez permettre | |
Sapho: O ma lyre immortelle | |
Le Cid: Pleurez Mes Yeux | |
Il trovatore, Act I: La nuit calme et serene | |
Carmen, Act I: Habanera: L'amour est un oiseau rebelle | |
La Favorita, Act III: O Mio Fernando | |
Cavalleria rusticana: Voi lo sapete | |
Aida, Act II: I sacre nume | |
Lohengrin, Act I: Reve d'Elsa: Einsam in truben Tagen | |
La Favorite, Act III: O mon Fernand! | |
L'Africaine, Act II: Air du sommeil: Toujours son sommeilnagite | |
Il trovatore, Act IV: Brise d'amour fidele | |
Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre a ta voix | |
Africano: In Grembo A Me | |
Le Cid, Act III: Pleurez, pleurez mes yeux | |
Aida, Act II: O re pei sacri numi | |
Lohengrin, Act I: Reve d'Elsa: Seule dans ma misere | |
L'Africaine, Act II: Sur Mes Genoux | |
Lohengrin: Einsam In Trüben Tagen | |
Place of burial | Père Lachaise Cemetery, Paris, France |
Date of Reg. | |
Date of Upd. | |
ID | 1516694 |
Félia Litvinne Life story
Félia Litvinne was a Russian-born, French-based dramatic soprano. She was particularly associated with Wagnerian roles, although she also sang a wide range of parts by other opera composers.