Gabriele Rossmanith
Use attributes for filter ! | |
Gender | Male |
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Born | Stuttgart |
Germany | |
Genres | Classical |
Record labels | Orfeo |
Albums | Jommelli: Il Vologeso |
Job | Opera singer |
Songs | Anatevka: Tevjes Traum |
Act I Scene 1: Prelude | |
Sonata claro de luna | |
Act II Scene 1: Dir rat ich, Vater, ruste dich selbst | |
Act I Scene 3: Wintersturme wichen dem Wonnemond | |
Act II Scene 4: Siegmund! Sieh auf mich! | |
Act II Scene 1: Was verlangst du? | |
Il Vologeso, Act I: Act I Scene 12: Quartet: Quel silenzio? | |
Il Vologeso, Act I: Act I Scene 2: Godete, alme sublimi | |
Act III Scene 3: Der Augen leuchtendes Paar | |
Act III Scene 1: Steh, Brunnhild'! | |
Act II Scene 5: Wehwalt! Wehwalt! | |
Act II Scene 2: Als junger Liebe Lust mir verblich | |
Act I Scene 3: Siegmund heiss ich und Siegmund bin ich | |
Il Vologeso, Act II: Act II Scene 8: Dunque Augusto | |
Il Vologeso, Act I: Act I Scene 4: L'orror del caso atroce | |
Il Vologeso, Act II: Act II Scene 10: Trio: Se fida m'adora | |
Il Vologeso, Act III: Act III Scene 6: Berenice, dove sei? | |
Act III Scene 2: Wo ist Brunnhild', wo die Verbrecherin? | |
Il Vologeso, Act III: Act III Finale: Al mare invitano | |
Il Vologeso, Act II: Act II Scene 10: Re de 'Parti | |
Act II Scene 5: Kehrte der Vater nur heim! | |
Il Vologeso, Act II: Act II Scene 9: Parti … respiro | |
Act II Scene 2: Schlimm, furcht ich, schloss der Streit | |
Act II Scene 2: O sag, Kunde, was soll nun dein Kind? | |
Act III Scene 3: Als Fricka den eignen Sinn dir entfremdet | |
Il Vologeso, Act I: Act I Scene 10: Fan fede, o Berenice | |
Il Vologeso, Act III: Act III Scene 7: Cesare, o Berenice | |
Act III Scene 3: Und das ich ihm in Stucke schlug! | |
Il Vologeso, Act III: Act III Scene 6: Aria: Ombre che pallida | |
Il Vologeso, Act II: Act II Scene 4: A Cesare n'andro | |
Il Vologeso, Act I: Act I Scene 6: Aria: Se vive il mio bene | |
Date of Reg. | |
Date of Upd. | |
ID | 1463281 |
Gabriele Rossmanith Life story
Gabriele Rossmanith is a German operatic soprano. She is particularly associated with the Hamburg State Opera where she first sang in 1988. Appearances there include the title role in Debussy's Pelléas et Mélisande.