Griselda Pollock
| Use attributes for filter ! | |
| Gender | Female |
|---|---|
| Age | 75 |
| Born | South Africa |
| Nationality | British |
| Job | Philosopher |
| Scholar | |
| Education | University of Oxford |
| The Courtauld Institute of Art | |
| The Courtauld | |
| Movies/Shows | Alfred Stevens: The Man Who Painted Woman |
| Edited works | Resonance Overlay Interwea... |
| Date of birth | January 1,1949 |
| Date of Reg. | |
| Date of Upd. | |
| ID | 514667 |
Vision & Difference
Old Mistresses: Women, Art, and Ideology
Differencing the canon
Encounters in the virtual feminist museum
After-affects / After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum
Charlotte Salomon and the Theatre of Memory
Mary Cassatt
Looking back to the future
Avant-garde gambits, 1888-1893
Vincent Van Gogh: Artist of His Time
Feminism: A Bad Memory
Conceptual Odysseys: Passages to Cultural Analysis
William Kentridge and Vivienne Koorland: Conversations in Letters and Lines
Images of Women
Sounds of Subjectivity
Alice Anderson's childhood rituals
Now and Then: Feminism: Art and History: A Critical Response to Documenta XI
Art in the Age of Van Gogh: Dutch Paintings from the Rijksmuseum, Amsterdam : October 24, 1998 - February 14, 1999, Art Gallery of Ontario
Correct Distance
Promise : Lily Markiewicz
Resonance Overlay Interweave: In the Freudian Space of Memory and Migration
Art of the Twentieth Century: A Reader
Wormthinking
Sonja Sekula and Friends
Hannah Wilke: Sculpture 1960s-80s : Works from the Hannah Wilke Collection & Archive, Los Angeles
Interim
Van Gogh
Griselda Pollock's Vision and Difference: A Macat Analysis
Jean-François Millet
Irigaray and the Political
Old Mistresses: Women, Art and Ideology
Vision Difference
Old Mistresses: Women, Art, and Ideology
Differencing the canon
Encounters in the virtual feminist museum
After-affects / After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum
Charlotte Salomon and the Theatre of Memory
Mary Cassatt
Looking back to the future
Avant-garde gambits, 1888-1893
Vincent Van Gogh: Artist of His Time
Feminism: A Bad Memory
Conceptual Odysseys: Passages to Cultural Analysis
William Kentridge and Vivienne Koorland: Conversations in Letters and Lines
Images of Women
Sounds of Subjectivity
Alice Anderson's childhood rituals
Now and Then: Feminism: Art and History: A Critical Response to Documenta XI
Art in the Age of Van Gogh: Dutch Paintings from the Rijksmuseum, Amsterdam : October 24, 1998 - February 14, 1999, Art Gallery of Ontario
Correct Distance
Promise : Lily Markiewicz
Resonance Overlay Interweave: In the Freudian Space of Memory and Migration
Art of the Twentieth Century: A Reader
Wormthinking
Sonja Sekula and Friends
Hannah Wilke: Sculpture 1960s-80s : Works from the Hannah Wilke Collection & Archive, Los Angeles
Interim
Van Gogh
Griselda Pollock's Vision and Difference: A Macat Analysis
Jean-François Millet
Irigaray and the Political
Old Mistresses: Women, Art and Ideology
Vision Difference
Griselda Pollock Life story
Griselda Frances Sinclair Pollock is an art historian and cultural analyst of international, postcolonial feminist studies in visual arts and visual culture. Since 1977, Pollock has been an influential scholar of modern art, avant-garde art, postmodern art, and contemporary art.
Griselda Pollock Photos
