Gustav Mahler
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Gender | Male |
---|---|
Death | 113 years ago |
Date of birth | July 7,1860 |
Zodiac sign | Cancer |
Born | Bohemia |
Date of died | May 18,1911 |
Died | Vienna |
Austria | |
Spouse | Alma Mahler |
Height | 163 (cm) |
Job | Conductor |
Film Score Composer | |
Education | University of Vienna |
University of Music and Performing Arts, Vienna | |
Listen artist | www.youtube.com |
Children | Anna Mahler |
María Mahler | |
Siblings | Otto Mahler |
Leopoldine Mahler | |
Isidor Mahler | |
Ernst Mahler | |
Justine Mahler | |
Parents | Bernard Mahler |
Marie Herrmann | |
Grandchildren | Marina Fistoulari Mahler |
Alma Ottilie Leonore Germany-Zsolnay | |
Buried | Grinzing Cemetery, Vienna, Austria |
Nationality | Czech |
Influences | Bruno Walter |
Otto Klemperer | |
Friedrich Nietzsche | |
Arthur Schopenhauer | |
Friedrich Rückert | |
Date of Reg. | |
Date of Upd. | |
ID | 437548 |
Gustav Mahler: Letters To His Wife
Symphonies Nos. 1 and 2 in Full Score
Symphony No. 7 In Full Score
Symphony No. 9 In Full Score
Das Lied von der Erde in Full Score
Gustav Mahler, Richard Strauss
Selected letters of Gustav Mahler
Mahler's unknown letters
Symphony No. 7: Song of the Night
The Mahler Family Letters
Mahler Symphony
Symphony No. 1 in D Major
Symphony No. 4 in G Major: Piano Duo/Duet (1 Piano, 4 Hands)
Symphony No. 8 in E Flat (Symphony of a Thousand)
Briefe 1879-1911
Symphony No. 3 D Minor
Symphony No. 2 C Minor
Five selected songs: for flute and piano
Symphonic Repertoire for Timpani: Mahler Symphonies No. 4, 5 and 6
Family Letters
The Youth's Magic Horn / Des Knaben Wunderhorn: Miniature Score
Gustav Mahler's American Years, 1907-1911: A Documentary History
Des Knaben Wunderhorn: Arranged for Voice, Guitar and Chamber Ensemble
Symphony No. 8 in E-Flat Minor
Symphony No. 8 in E-flat Minor: Choral Extended Work
Suite Aus Dem Orchesterwerken: Study Score
Symphony No. 8 Eb Major
Ave Maria after the adagietto from the 5th symphony
Songs of a Way Faser
The Great Call (from Symphony No. 2): SATB divisi with German and English Text (Chorus/Choir Parts)
Symphony No. 1: Titan
Lieder Und Gesange Aus Der Jugendzeit: Fourteen Art Songs Arranged for Violin and Piano
Symphony No. 5 in E Major: Piano Duo/Duet (1 Piano, 4 Hands)
Symphony No. 1: Kalmus Edition
Symphony No. 4 G Major
Symphony No. 3: Kalmus Edition
Twenty-Four Songs for Voice and Piano
Symphony
Music for Organ: Adagietto from Symphony V, Gustav Mahler
Symphonies Nos. 1 and 2 in Full Score
Symphony No. 7 In Full Score
Symphony No. 9 In Full Score
Das Lied von der Erde in Full Score
Gustav Mahler, Richard Strauss
Selected letters of Gustav Mahler
Mahler's unknown letters
Symphony No. 7: Song of the Night
The Mahler Family Letters
Mahler Symphony
Symphony No. 1 in D Major
Symphony No. 4 in G Major: Piano Duo/Duet (1 Piano, 4 Hands)
Symphony No. 8 in E Flat (Symphony of a Thousand)
Briefe 1879-1911
Symphony No. 3 D Minor
Symphony No. 2 C Minor
Five selected songs: for flute and piano
Symphonic Repertoire for Timpani: Mahler Symphonies No. 4, 5 and 6
Family Letters
The Youth's Magic Horn / Des Knaben Wunderhorn: Miniature Score
Gustav Mahler's American Years, 1907-1911: A Documentary History
Des Knaben Wunderhorn: Arranged for Voice, Guitar and Chamber Ensemble
Symphony No. 8 in E-Flat Minor
Symphony No. 8 in E-flat Minor: Choral Extended Work
Suite Aus Dem Orchesterwerken: Study Score
Symphony No. 8 Eb Major
Ave Maria after the adagietto from the 5th symphony
Songs of a Way Faser
The Great Call (from Symphony No. 2): SATB divisi with German and English Text (Chorus/Choir Parts)
Symphony No. 1: Titan
Lieder Und Gesange Aus Der Jugendzeit: Fourteen Art Songs Arranged for Violin and Piano
Symphony No. 5 in E Major: Piano Duo/Duet (1 Piano, 4 Hands)
Symphony No. 1: Kalmus Edition
Symphony No. 4 G Major
Symphony No. 3: Kalmus Edition
Twenty-Four Songs for Voice and Piano
Symphony
Music for Organ: Adagietto from Symphony V, Gustav Mahler
Gustav Mahler Life story
Gustav Mahler was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century.