
Hans Belting
Use attributes for filter ! | |
Gender | Male |
---|---|
Death | Died last year |
Date of birth | July 7,1935 |
Zodiac sign | Cancer |
Born | Andernach |
Germany | |
Job | Professor |
Art Historian | |
Education | Johannes Gutenberg University of Mainz |
Date of died | January 10,2023 |
Died | Berlin |
Germany | |
Date of Reg. | |
Date of Upd. | |
ID | 631045 |
Likeness and Presence
An Anthropology of Images: Picture, Medium, Body
The Invisible Masterpiece
The End of the History of Art
Art History after Modernism
Florence and Baghdad: Renaissance Art and Arab Science
Bild- Anthropologie
Face and Mask: A Double History
Museum Photographs
L'Histoire de l'art est-elle finie ?
Max Beckmann: Tradition as a Problem in Modern Art
The image and its public in the Middle Ages
Giovanni Bellini, Pietà
Die Deutschen und ihre Kunst
The mosaics and frescoes of St. Mary Pammakaristos (Fethiye Camii) at Istanbul
Adel Abdessemed
Bodies and Pictures: Toward an Anthropology of the Image
Das illuminierte Buch in der spätbyzantinischen Gesellschaft
Bild‑Anthropologie
Das Ende der Kunstgeschichte?
Bild-Anthropologie
An Anthropology of Images: Picture, Medium, Body
The Invisible Masterpiece
The End of the History of Art
Art History after Modernism
Florence and Baghdad: Renaissance Art and Arab Science
Bild- Anthropologie
Face and Mask: A Double History
Museum Photographs
L'Histoire de l'art est-elle finie ?
Max Beckmann: Tradition as a Problem in Modern Art
The image and its public in the Middle Ages
Giovanni Bellini, Pietà
Die Deutschen und ihre Kunst
The mosaics and frescoes of St. Mary Pammakaristos (Fethiye Camii) at Istanbul
Adel Abdessemed
Bodies and Pictures: Toward an Anthropology of the Image
Das illuminierte Buch in der spätbyzantinischen Gesellschaft
Bild‑Anthropologie
Das Ende der Kunstgeschichte?
Bild-Anthropologie
Hans Belting Life story
Hans Belting was a German art historian and media theorist with a focus on image science, and this with regard to contemporary art and to the Italian art of the Middle Ages and the Renaissance.