Jill Feldman
| Use attributes for filter ! | |
| Gender | Female |
|---|---|
| Age | 72 |
| Date of birth | May 21,1952 |
| Zodiac sign | Gemini |
| Born | Los Angeles |
| California | |
| United States | |
| Genres | Classical |
| Albums | Médée (Chœurs et Orchestre de Les Arts Florissants feat. conductor: William Christie) |
| Record labels | Decca Records |
| Naxos | |
| Harmonia Mundi | |
| Warner Classics | |
| Linn Records | |
| Ricercar | |
| Auvidis Astree | |
| ARCANA | |
| Songs | Lettera Amorosa |
| Fuga super Jesus Christus unser Heiland, BWV 689: Fuga super Jesus Christus unser Heiland, BWV 689 | |
| Torna Il Sereno Zefiro | |
| Mentre Che'l Cor | |
| Oh Solitude, Z. 406 | |
| Lamento Della Sposa | |
| Quando Spiega La Notte | |
| Oedipus, Z. 583: II. Musick for a While | |
| Queste Lagrim'Amare | |
| An Evening Hymn, Z. 193: Now That the Sun | |
| Piangono Al Pianger Mio | |
| L'Eraclito Amoroso | |
| Canzonetta Spirituale Sopra Alla Nanna | |
| A Morning Hymn : Thou wakeful Shepherd, Z 198 | |
| Fly Swift, Ye Hours, Z. 369 | |
| On our Saviour's Passion, Z. 197: The Earth Trembled | |
| The Aspiration, Z. 189: How Long, Great God | |
| Adam' Sleep, Z. 195: Sleep, Adam, Sleep | |
| The Blessed Virgin's Expostulation, Z. 196: Tell Me, Some Pitying Angel | |
| With Sick and Famished Eyes, Z. 200 | |
| In the Black Dismal Dungeon of Despair, Z. 190 | |
| Full of Wrath, Z. 185 | |
| The Fairy Queen, Z. 629: Ye Gentle Spirits of the Air | |
| Can shee excuse my wrongs | |
| Quittez vos campagnes | |
| Dido and Aeneas, Z. 626, Act I: Ah! Belinda | |
| Come, Ye Sons of Art Away, Z. 323: V. Strike the Viol | |
| When Daphne from faire Phoebus did flie | |
| Don Quixote, Z. 578/9: From Rosy Bow'rs | |
| The Fairy Queen, Z. 629: Thrice Happy Lovers | |
| Aria Di Dafne | |
| King Arthur, Z. 628: Fairest Isle | |
| Date of Reg. | |
| Date of Upd. | |
| ID | 1550374 |
Jill Feldman Life story
Jill Feldman is an American soprano who has acquired an international reputation for her interpretation of medieval, baroque and classical repertoires. Her highly expressive singing art combines great vocal agility with a profound dramatic sense of drama, in constant respect for the text.
