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John Gielgud
Use attributes for filter ! | |
Gender | Male |
---|---|
Death | 24 years ago |
Date of birth | April 14,1904 |
Zodiac sign | Aries |
Born | South Kensington |
London | |
United Kingdom | |
Date of died | May 21,2000 |
Died | Wotton Underwood |
United Kingdom | |
Aunts | Mabel Terry-Lewis |
Height | 180 (cm) |
Job | Singer |
Voice acting | |
Theatre Director | |
Theatrical producer | |
Education | Royal Academy of Dramatic Art |
Westminster School | |
Siblings | Val Gielgud |
Eleanor Gielgud | |
Lewis Gielgud | |
Parents | Kate Terry Gielgud |
Frank Gielgud | |
Plays | Acting Shakespeare |
A Tale of Two Cities | |
Date of Reg. | |
Date of Upd. | |
ID | 405178 |
An Actor and His Time
Gielgud's Letters
Backward Glances
Distinguished Company
Stage Directions
The Mander and Mitchenson Theatre Collection Presents John Gielgud's Notes from the Gods: Playgoing in the Twenties
Gielgud on Gielgud
Early Stages
The Importance of Being Earnest
The Gielgud Collection
Sir John Gielgud at the BBC
Churchill in His Own Voice
Actor and His Time Counter Display
A Tale of Two Cities: Adapted for the Stage
Interpretar a Shakespeare
The Complete Arkangel Shakespeare Preview CD
The Story of the Barn Theatre
Best of Sherlock Holmes 4
Best of Sherlock Holmes 3
Sir John Gielgud - a Celebratory Collection
Great Historical Shakespeare Recordings
Richard Burton's Hamlet
Alan Bennett Double Bill: Forty Years on ; A Woman of No Importance
Murder on the Orient Express
Gandhi
Becket
Secret Agent
Chariots of Fire
Prospero's Books
Caligula
Oh! What a Lovely War
The Prime Minister
The Loved One
Around the World in 80 Days
The Charge of the Light Brigade
Chimes at Midnight
Julius Caesar
Arthur 2: On the Rocks
First Knight
The Power of One
The Shoes of the Fisherman
The Shooting Party
War and Remembrance
Richard III
The Best of Friends
Murder by Decree
Shine
Aces High
Lion of the Desert
Appointment with Death
The Whistle Blower
Merlin
11 Harrowhouse
Shining Through
Strike It Rich
Quest for Camelot
The Human Factor
Lost Horizon
Tales of the Unexpected
Getting It Right
The Portrait of a Lady
The Formula
Romance on the Orient Express
A Portrait of the Artist as a Young Man
The Canterville Ghost
Edward the Seventh
The Clue of the New Pin
The Conductor
The Wicked Lady
Joseph Andrews
Priest of Love
Arthur
Brideshead Revisited
Prospero's
BBC Television Shakespeare
BAFTA Award for Best Actor in a Supporting Role
New York Film Critics Circle Award for Best Actor
Laurence Olivier Award for Society of London Theatre Special Award
Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or a Movie
Grammy Award for Best Spoken Word Album
BAFTA Fellowship
Special Tony Award
Golden Globe Award for Best Supporting Actor in a Series, Miniseries, or Motion Picture Made for Television
BAFTA Award for Best British Actor
Praemium Imperiale
National Society of Film Critics Award for Best Supporting Actor
Tony Award for Best Direction of a Play
Drama Desk Award for Outstanding Performance
Drama Desk Award for Unique Theatrical Experience
Outer Critics Circle Award for Best Actor
Academy Award for Best Actor in a Supporting Role
John Gielgud Life story
Sir Arthur John Gielgud, OM, CH was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century.
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... " The play is set in 1964 when both were at the height of their fame and Burton played Hamlet in an experimental production on Broadway directed by John Gielgud...
Grammy Awards 2023: Viola Davis becomes an EGOT
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... The 17 other EGOT winners include Sir John Gielgud, Rita Moreno, Andrew Lloyd Webber, John Legend and Jennifer Hudson...
The BBC's First Homosexual: How we made 1950s work into a play
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... Trapezes and stiltsThrough the 1950s he continued to direct RSC productions featuring some of the greatest actors of the age including John Gielgud, Paul Scofield and Laurence Olivier...
Obituary: June Brown
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... She spent years with the Royal Shakespeare Company, appearing on stage with Alec Guinness, John Gielgud and Peggy Ashcroft...
London's long-term lav affair: A history of public toilets in the capital
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... The actor Sir John Gielgud was arrested in a gents in Chelsea at a time when the law stipulated that a man could be arrested for merely the intent of committing an act of " gross indecency...
Sir Antony Sher: A giant of the stage
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... Having seen little theatre in Cape Town, Sher could now watch the greats: John Gielgud, Ralph Richardson and Laurence Olivier...
The BBC's First Homosexual: How we made 1950s work into a play
By Jennifer HarbyBBC News
In 1957, The Bbc broadcast its first radio documentary about gay Men . The Homosexual Condition had taken three years to come to air, amid a climate of considerable oppression in which you could still be imprisoned for being gay.
The Documentary was later lost but, following the efforts of a Leicestershire academic and an award-winning writer, a play named The Bbc 's First Homosexual has been created about it which is having its first performance on Thursday. The People behind it explain The Challenges they faced along The Way .
'It provoked so much reaction'Seven years ago Dr Marcus Collins was standing in The Bbc Written Archives Centre in Reading feeling bored.
Marcus, an expert in Social Change in post-war Britain at Loughborough University , had grown tired of The Project he was working on When his eye chanced upon something completely Different - a large file, containing paperwork relating to a controversy in the 1950s.
Intrigued, he read on to discover The Lost script of one of The Bbc 's first attempts to examine the lives of gay Men - a documentary named The Homosexual Condition, which had been broadcast on the Home Service .
It had been recorded on 24 May 1954 but was considered so taboo that it had not been broadcast until 25 July 1957.
" The recording had been lost in the mists of Time , " he says. " What was unusual was the amount of paperwork that was kept and The Reason for that was that it provoked so much reaction at The Time . "
As he examined the papers, Marcus found the original script for The Documentary , as well as memos from those behind it and letters detailing the reaction from listeners - including one from a gay man who had described it as a calumny.
At The Time The Bbc made The Documentary , people were being sent to prison for being gay.
" The question arose about whether you could actually have any homosexual people on the programme, given that it was a criminal offence, " says Marcus.
The programme makers eventually opted to interview somebody who had been sentenced for gross indecency but who appeared to consider himself " reformed".
Marcus admits Such terminology would sit uneasily with a modern audience.
" It's a situation where you have a whole bunch of straight Men who don't now much about homosexuality pronouncing on the subject with a great deal of certitude, " he says.
" To me the programme is just farcical. There's a tremendous amount of ignorance at The Time and not a lot of places to look to for expertise.
" All of the assumptions within The Bbc about the broadcast tell you more about the person writing the memo than about what it was like to be gay in the 1950s. "
The programme was mothballed for several years before eventually being broadcast at around The Time of the Wolfenden Report which recommended a partial decriminalisation of homosexuality.
Following its broadcast and the subsequent reaction, The Director general at The Time - Sir Ian Jacob - Committed to refrain from broadcasting any further content relating to homosexuality, apart from for " special purposes".
But, despite its flaws, positive things did emerge as a result of the broadcast. Much of the reaction was positive and reviews, Marcus says, were largely sympathetic.
The programme's presenter C. R. Hewitt went on to help found the Homosexual Law Reform Society, which campaigned for changes to the laws that criminalised homosexuality.
" These kind of programmes were so rare they were actually quite important for people because they actually received Some kind of recognition for their own identity, " says Marcus.
As he read The Script , he felt The Process that had brought it into being was ripe for dramatisation.
Now working as a research fellow for The Arts and Humanities Research Council to work on events for The Bbc 's centenary year, he came into contact with playwright Stephen M Hornby.
Stephen is currently The National Playwriting in Residence for LGBT+ History Month.
He has put together a play that focuses on three Strands - Parts of the verbatim transcript, The Bbc 's processes of making The Documentary and a fictionalised account of a young man Growing Up in Scunthorpe and coming to terms with his sexuality.
The Play is being staged by Inkbrew Productions as a script-in-hand performance in the New Adelphi Studio at the University of Salford on Thursday but Marcus hopes it will become a full production early next year.
" We wanted to find a creative way of bringing these scripts back to life, " He Said . " There's so much stuff in The Bbc archives that captures those times and the very Different attitudes.
" Those attitudes are A Million Miles Away from many people's attitudes These Days but that's all the more reason why we should be able to understand why people thought that way and how we have changed. "
Being gay in 1950s England'How do you stage a load of offensive nonsense?'" Turning a radio documentary made in 1954 into a stage play for now has Some big challenges, " says Dr Stephen M. Hornby.
Stephen specialises in writing plays based upon archive material but, in this case, he says there were particular difficulties.
" The basic concept of the original documentary is that an everyman journalist looks at a social problem, talks to so-called experts in Different fields about it and comes to a balanced conclusion, " he says.
" It's very Different to how documentaries are made now.
" The Experts don't actually possess much expertise and The View of homosexuality is an othering one.
" It's framed as a problem for society and as an illness of the individual that should be cured. So, it's basically a load of offensive nonsense. How do you stage that? "
'Window into period'He decided the new work needed a narrative and a character for The Audience to invest in.
" Firstly, there's a real story, which is of the internal struggle in The Bbc to make The Documentary , " he says.
" There's only One Man in the whole programme Who Talks openly about same sex experiences and he's paraded as a 'cured homosexual'.
" So, I wanted an actual homosexual to be the centre of The Play . And that's The Second story, which I've invented, of Tom, a working-class shop assistant from Scunthorpe.
" He acts as our window on to the period. Through a series of monologues, he takes us with him as he discovers and experiments with his sexuality.
" He's in A Void though as the culture around him tells him almost nothing about homosexuality, except for reports of a few high-profile Men being arrested.
" His journey leads him ultimately to listening to the broadcast of The Documentary on The Bbc Home Service in 1957 and we see its life-changing impact upon him.
" We know today, something that he discovers then: The Power of being seen. "
The original documentary featured interviews with psychoanalysts claiming they could " cure" gay Men - what is known today as the.
" It's extraordinary that no-one would be given a platform now to say the things the 'experts' say in The Documentary , but the conversion therapy many of them advocate is still being practised, " says Stephen.
" That's why it's important that these Parts of The Lost queer past are exposed and interrogated, so that we can see where The Present has come from and better understand it.
" The ghosts I've awoken in The Bbc 's First Homosexual are telling us something profound About Britain today.
" And The Authority and credibility that The Bbc gave to conversion therapy with this documentary is something that still haunts us all.
" It's a shameful part of their legacy which, with the commissioning of this play, they are finally beginning to Face Up to. "
'Insightful and sometimes challenging'Robert Seatter is The Head of BBC History. He commissioned The Work as part.
He says: " This fascinating project takes an interesting creative route to interpreting The Bbc at The Heart of a changing Britain - When sexual identity was finally starting to be more broadly discussed and debated.
" As part of The Bbc 's centenary, I'm delighted that our archives are being brought to life in this insightful and sometimes challenging way. "
He Said The Project was one of A Number of pieces of work about The Role The Corporation has played in people's lives.
" The Project is one of A Number of research projects, exploring The Bbc 's impact on a range of Different communities over Time - from Black and Asian to LGBTQ, from health stories around the UK to young film makers using archive to tell their own contemporary stories, " he says.
Source of news: bbc.com