Lawrence Weiner
Use attributes for filter ! | |
Gender | Male |
---|---|
Death | 3 years ago |
Date of birth | February 10,1942 |
Zodiac sign | Aquarius |
Spouse | Alice Weiner |
Albums | Crosstalk |
Having Been Built on Sand | |
Monsters From the Deep | |
Job | Actor |
Visual Artist | |
Conceptual Artist | |
Education | Stuyvesant High School |
Hunter College | |
Awards | Guggenheim Fellowship for Creative Arts, US & Canada |
Wolf Prize in Sculpture | |
Wolf Prize in Painting | |
Born | New York |
United States | |
Died | Manhattan |
New York | |
United States | |
Works | A Stake Set |
To See and Be Seen | |
Movies/Shows | Water in Milk Exists |
Station to Station | |
In Art We Trust | |
Songs | Born Again: Collected Sutekh Remixes 1999-2005 |
List | Where It Came FromDeutsche Angst · 1982 |
Big Bang / New FloraBorn Again: Collected Sutekh Remixes 1999-2005 · 2005 | |
Wind and the WillowsMonsters From the Deep · 1997 | |
1982 | |
2005 | |
1997 | |
Date of died | December 2,2021 |
On view | The Museum of Modern Art |
Museion | |
The Art Institute of Chicago | |
Periods | Contemporary art |
Conceptual art | |
Known for | Conceptual art |
Date of Reg. | |
Date of Upd. | |
ID | 437369 |
Books, 1968-1989
Statements
Something to Put Something on
Lawrence Weiner
Lawrence Weiner: Green as Well as Blue as Well as Red
Written on the Wind: Lawrence Weiner Drawings
Deep Blue Sky, Light Blue Sky
Posters
Displacement
Specific & general works
Factors in the Scope of Distance: A Structure of Lawrence Weiner
Altered to suit
Nach alles =
Ducks on a Pond
Relative to Hanging
Having Been Said: Writings & Interviews of Lawrence Weiner, 1968-2003
La marelle ou Pie in the sky
Above, beyond, below
Bremerhaven: within forward motion ; towards a reasonable end ; with a touch of pink
Within a Realm of Distance: Lawrence Weiner at Blenheim Palace
Quid Pro Quo: Lawrence Weiner
Tiré à quatre épingles
Plowmans lunch
STEEL PENNIES DON'T COME FROM OR GO TO HEAVEN.
Covered by Clouds
Remixed Water
Again the Metaphor Problem and Other Engaged Critical Discourses about Art: A Conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated by Beatrix Ruf
Robert Lehman Lectures On Contemporary Art
Two blocks
Show (&) Tell: The Films & Videos of Lawrence Weiner : a Catalogue Raisonne
On the Rocks: Some Questions + 5 Answers Relative to Moved Pictures
Lawrence Weiner, Obras
Out from Under
Paradigms suitable for daily use
Statements
Something to Put Something on
Lawrence Weiner
Lawrence Weiner: Green as Well as Blue as Well as Red
Written on the Wind: Lawrence Weiner Drawings
Deep Blue Sky, Light Blue Sky
Posters
Displacement
Specific & general works
Factors in the Scope of Distance: A Structure of Lawrence Weiner
Altered to suit
Nach alles =
Ducks on a Pond
Relative to Hanging
Having Been Said: Writings & Interviews of Lawrence Weiner, 1968-2003
La marelle ou Pie in the sky
Above, beyond, below
Bremerhaven: within forward motion ; towards a reasonable end ; with a touch of pink
Within a Realm of Distance: Lawrence Weiner at Blenheim Palace
Quid Pro Quo: Lawrence Weiner
Tiré à quatre épingles
Plowmans lunch
STEEL PENNIES DON'T COME FROM OR GO TO HEAVEN.
Covered by Clouds
Remixed Water
Again the Metaphor Problem and Other Engaged Critical Discourses about Art: A Conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated by Beatrix Ruf
Robert Lehman Lectures On Contemporary Art
Two blocks
Show (&) Tell: The Films & Videos of Lawrence Weiner : a Catalogue Raisonne
On the Rocks: Some Questions + 5 Answers Relative to Moved Pictures
Lawrence Weiner, Obras
Out from Under
Paradigms suitable for daily use
Lawrence Weiner Life story
Lawrence Charles Weiner was an American conceptual artist. He was one of the central figures in the formation of conceptual art in the 1960s. His work often took the form of typographic texts, a form of word art.