Lee Friedlander
Use attributes for filter ! | |
Gender | Male |
---|---|
Age | 90 |
Date of birth | July 14,1934 |
Zodiac sign | Cancer |
Born | Aberdeen |
Washington | |
United States | |
Artworks | Route 9W, New York |
Wilmington, Delaware | |
Children | Erik Friedlander |
Anna Friedlander | |
Job | Photographer |
Film director | |
Film Producer | |
Screenwriter | |
Visual Artist | |
Awards | Hasselblad Award |
MacArthur Fellowship | |
Guggenheim Fellowship for Creative Arts, US & Canada | |
Edward MacDowell Medal | |
Spouse | Maria DePaoli |
Works | New York City |
Oregon | |
Colorado | |
Nashville | |
Route 9W, New York | |
Newark, New Jersey | |
On view | San Francisco Museum of Modern Art |
Date of Reg. | |
Date of Upd. | |
ID | 456486 |
The American Monument
Staglieno
Letters from the people
Mannequin
The desert seen
American musicians
Factory valleys
The Jazz People of New Orleans
Chain Link
Cherry Blossom Time in Japan: The Complete Works
Lee Friedlander: Photographs, Frederick Law Olmsted: Landscapes
Prayer Pilgrimage for Freedom
Portraits
JFK: A Photographic Memoir
Fourteen American Monuments
Children
Parties
Dog's Best Friend: A Pet Project
New Orleans Portraits
Lee Friedlander: The Corcoran Gallery of Art, Washington, D. C. , December 11, 1976 - February 20, 1977
Lee Friedlander: Stems
America by Car
Nudes
Lee Friedlander
Self portrait
Staglieno
Letters from the people
Mannequin
The desert seen
American musicians
Factory valleys
The Jazz People of New Orleans
Chain Link
Cherry Blossom Time in Japan: The Complete Works
Lee Friedlander: Photographs, Frederick Law Olmsted: Landscapes
Prayer Pilgrimage for Freedom
Portraits
JFK: A Photographic Memoir
Fourteen American Monuments
Children
Parties
Dog's Best Friend: A Pet Project
New Orleans Portraits
Lee Friedlander: The Corcoran Gallery of Art, Washington, D. C. , December 11, 1976 - February 20, 1977
Lee Friedlander: Stems
America by Car
Nudes
Lee Friedlander
Self portrait
Lee Friedlander Life story
Lee Friedlander is an American photographer and artist. In the 1960s and 1970s, Friedlander evolved an influential and often imitated visual language of urban "social landscape," with many of his photographs including fragments of store-front reflections, structures framed by fences, posters and street signs.