Lisa Hopkins
Use attributes for filter ! | |
Gender | Female |
---|---|
Born | Simi Valley |
California | |
United States | |
Albums | John Musto: Volpone |
Songs | Viola Concerto no. 1 Giants: II. The Golden Harp |
La Bohème: Act IV. C'è Mimi | |
La Bohème: Act IV. Oh! Dio! Mimì! | |
SongsPuccini: Oh! Dio MimiPuccini: Sono Andati?La bohème: Act IV. “C’è Mimì…”Baz Luhrmann's Production of Puccini's La Boheme on Broadway, Original Cast Recording (Baz Luhrmann) · 2002 View 3+ more | |
Listen artist | open.spotify.com |
Awards | Tony Honors for Excellence in Theatre |
Nominations | Grammy Award for Best Opera Recording |
Education | Yale University |
List | La bohème: Act IV. “C’è Mimì…”Baz Luhrmann's Production of Puccini's La Boheme on Broadway, Original Cast Recording (Baz Luhrmann) · 2002 |
Date of Reg. | |
Date of Upd. | |
ID | 1591482 |
Beginning Shakespeare
Screening the gothic
Renaissance Literature And Culture
Magical Transformations on the Early Modern English Stage
Christopher Marlowe, Renaissance Dramatist
Renaissance Drama on the Edge
Christopher Marlowe: A Literary Life
Drama and the Succession to the Crown, 1561-1633
The cultural uses of the Caesars on the English Renaissance stage
The female hero in English Renaissance tragedy
Shakespeare On The Edge
John Ford's political theatre
The Shakespearean Marriage: Merry Wives and Heavy Husbands
Bram Stoker: A Literary Life
Writing Renaissance queens
Relocating Shakespeare and Austen on Screen
Marian Moments in Early Modern British Drama
Shakespearean Allusion in Crime Fiction: DCI Shakespeare
A Christopher Marlowe Chronology
Women who would be kings
Queen Elizabeth I and her court
Teaching Shakespeare and Early Modern Dramatists
Giants of the Past: Popular Fictions and the Idea of Evolution
From the Romans to the Normans on the English Renaissance Stage
Screen Adaptations: The Tempest: A Close Study of the Relationship Between Text and Film
Greeks and Trojans on the Early Modern English Stage
Iblc: Renaissance Literature And Culture
Gale Researcher Guide for: Edward II: Sexuality and Politics in Christopher Marlowe's Play (1593) and Derek Jarman's Film (1991)
A Hall of Mirrors: Mary Shelley's Frankenstein
ROMARD: Research on Medieval and Renaissance Drama, vol 51: Special Issue: Showcasing Opportunities
Screen Adaptations: The Tempest - A Close Study of the Relationship Between Text and Film
Screening the gothic
Renaissance Literature And Culture
Magical Transformations on the Early Modern English Stage
Christopher Marlowe, Renaissance Dramatist
Renaissance Drama on the Edge
Christopher Marlowe: A Literary Life
Drama and the Succession to the Crown, 1561-1633
The cultural uses of the Caesars on the English Renaissance stage
The female hero in English Renaissance tragedy
Shakespeare On The Edge
John Ford's political theatre
The Shakespearean Marriage: Merry Wives and Heavy Husbands
Bram Stoker: A Literary Life
Writing Renaissance queens
Relocating Shakespeare and Austen on Screen
Marian Moments in Early Modern British Drama
Shakespearean Allusion in Crime Fiction: DCI Shakespeare
A Christopher Marlowe Chronology
Women who would be kings
Queen Elizabeth I and her court
Teaching Shakespeare and Early Modern Dramatists
Giants of the Past: Popular Fictions and the Idea of Evolution
From the Romans to the Normans on the English Renaissance Stage
Screen Adaptations: The Tempest: A Close Study of the Relationship Between Text and Film
Greeks and Trojans on the Early Modern English Stage
Iblc: Renaissance Literature And Culture
Gale Researcher Guide for: Edward II: Sexuality and Politics in Christopher Marlowe's Play (1593) and Derek Jarman's Film (1991)
A Hall of Mirrors: Mary Shelley's Frankenstein
ROMARD: Research on Medieval and Renaissance Drama, vol 51: Special Issue: Showcasing Opportunities
Screen Adaptations: The Tempest - A Close Study of the Relationship Between Text and Film
Lisa Hopkins Life story
Lisa Hopkins Seegmiller, credited as Lisa Hopkins until 2008, is an American classical singer and actress from Simi Valley, California. She holds a B.A. in Theater Studies and Acting from Yale University and a M.M. in Classical Voice from the Manhattan School of Music.