Michael Fried
Use attributes for filter ! | |
Gender | Male |
---|---|
Age | 85 |
Date of birth | April 12,1939 |
Zodiac sign | Aries |
Born | New York City |
New York | |
United States | |
Job | Art critic |
Art Historian | |
Education | Harvard University |
Princeton University | |
University College London | |
Date of Reg. | |
Date of Upd. | |
ID | 503808 |
Art and objecthood
Absorption and theatricality
Why photography matters as art as never before
Courbet's realism
Manet's Modernism: Or, The Face of Painting in the 1860s
Four Honest Outlaws: Sala, Ray, Marioni, Gordon
Menzel's Realism
Another Light: Jacques-Louis David to Thomas Demand
The Next Bend in the Road
Realism, writing, disfiguration
To the center of the earth
Flaubert's gueuloir: On Madame Bovary and Salammbô
What Was Literary Impressionism?
After Caravaggio
Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella
Jackson Pollock: Blind Spots
The Moment of Caravaggio
Three American Painters, Kenneth Noland, Jules Olitski, Frank Stella: Fogg Art Museum, 21 April-30 May 1965
Charles Ray: Sculpture 1997-2014
El punctum de Roland Barthes
Walter Darby Bannard
Caro at Museo Correr
Marioni, MacPherson
Absorption and theatricality
Why photography matters as art as never before
Courbet's realism
Manet's Modernism: Or, The Face of Painting in the 1860s
Four Honest Outlaws: Sala, Ray, Marioni, Gordon
Menzel's Realism
Another Light: Jacques-Louis David to Thomas Demand
The Next Bend in the Road
Realism, writing, disfiguration
To the center of the earth
Flaubert's gueuloir: On Madame Bovary and Salammbô
What Was Literary Impressionism?
After Caravaggio
Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella
Jackson Pollock: Blind Spots
The Moment of Caravaggio
Three American Painters, Kenneth Noland, Jules Olitski, Frank Stella: Fogg Art Museum, 21 April-30 May 1965
Charles Ray: Sculpture 1997-2014
El punctum de Roland Barthes
Walter Darby Bannard
Caro at Museo Correr
Marioni, MacPherson
Michael Fried Life story
Michael Martin Fried is a modernist art critic and art historian. He studied at Princeton University and Harvard University and was a Rhodes Scholar at Merton College, Oxford.