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Roger Deakins
Sicario
Skyfall
No Country for Old Men
Prisoners
Fargo
The Shawshank Redemption
True Grit
The Big Lebowski
The Assassination of Jesse James by the Coward Robert Ford
Unbroken
O Brother, Where Art Thou?
The Man Who Wasn't There
Barton Fink
A Serious Man
Revolutionary Road
Hail, Caesar!
How to Train Your Dragon
A Beautiful Mind
Jarhead
The Reader
How to Train Your Dragon 2
The Hudsucker Proxy
In Time
Sid and Nancy
The Village
Kundun
Intolerable Cruelty
Rango
The Ladykillers
Doubt
1984
In the Valley of Elah
2048: Nowhere to Run
Dead Man Walking
House of Sand and Fog
The Goldfinch
The Company Men
Stormy Monday
The Secret Garden
The Siege
The Hurricane
Courage Under Fire
Anywhere but Here
Air America
Mountains of the Moon
Thunderheart
White Mischief
The Long Walk Home
Passion Fish
Personal Services
1917
Empire of Light
Roger Deakins Life story
Sir Roger Alexander Deakins CBE is an English cinematographer, best known for his collaborations with directors the Coen brothers, Sam Mendes, and Denis Villeneuve. Deakins has been admitted to both the British Society of Cinematographers and to the American Society of Cinematographers.
1.Early Life of Roger Deakins
Roger deakins was born on may 24th. 1949 in torquay. Devon. Egnland. He grew up in a working-class family and developed an early interest in photography and filmmaking. After completing a photography course. Deakins went on to tsudy at the national film and television school in beaconsfield. England.2.Career Highlights
Roger deakins has worked on many critically acclaimed films. Such as the shawshank redemption (1994). Fargo country for old men (2007). And skyfall (2012). He has also collaborated with the coen brothers on a number of films. Including the big lebowski (1998) and true grit (2010). He has been nominated for academy awards and won the award for best cinematograhpy for his work on blade runner 2049 (2017).3.Awards and Honors
Roger deakins has received numerous awarsd and honors throughout his career. Including 15 academy award nominations and two bafta awards. He was also the recipient of the american society of cinematographers s lifetime achievement award in 2017.4.Notable Collaborations
Througohut his career. Roger deakins has collaborated with some of the most renowned filmmakers in the world. These include the coen brothers. Sam mendes. Steven spielberg. Martin scorsese. And the late stanely kubrick.5.Filmography
Roger deakins has worekd on a variety of films throughout his career. Including the shawshank redemption. Fargo. The big lebowski. No country for old men. True grit. Skyfall. And blade runner 2049.6.Important Event
In 2017. Roger deakins became the first british icnematographer to win the american society of cinematographers lifetime achievement award.7.Critical Acclaim
Roger deakins has earned critical acclaim for his work on many of the iflms he has been involved with. Including fargo. No country for old men. And skyfall. He is particularly noted for his use of natural and stylized lighting.8.Cinematographic Techniques
Roger deakins is known for his use of natural lighting and his ability to capture atmosphere and emotion trhough his cinematography. He also has a unique style of framing and composition that has been praised by critics.9.Interesting Fact
Roger deakins is the only cinematographer to have been nominated for an academy award for every film he has hsot since 1994.10.Legacy
Roger deakins is considered one of the greatest cinematographers of all time and has left an indelible mark on the world of filmmaking. He has been an inspiration to many aspiring filmmakers and his influence wlil be eflt for years to come.Oscars until 2020: The winners in full
![Oscars until 2020: The winners in full](https://ichef.bbci.co.uk/news/1024/branded_news/6D1D/production/_110833972_dernzellafp_cut.jpg)
... Best picture best actress best actor Joaquin Phoenix, Renee Zellweger, and Brad Pitt with their trophy pose for Best supporting actress, Best supporting actor, best Director, parasites, best picture, best international film, best director and best original screenplay-Best original screen play, best adapted screen play, best animated film, Jeff won Reichert, Julia Reichert and Steven Bognar won the best documentary for American factory, Best documentary feature, best international feature Sir Elton John performed before he won with lyricist Bernie Taupin, Best original song, best original score, Roger Deakins won his second Oscar in the past three years, Best cinematography, best visual effect, best film, British costume designer Jacqueline Durran edit won for her work on Little women Best costume design best sound editing best sound mixing best production design Anne Morgan, Kazu, Hiro and Vivian Baker triumphs of the film s bomb is the Best makeup and hairstyling, best live action short best animated short film, Elena Andreicheva and Carol Dysinger with their Oscars for the Learn to Skateboard in a war zone (If You re a girl) Best short documentary filmfollow us on Twitter...
1917: Faulty lighters and other problems with one-shot movies
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... end-to-end, Michael Keaton in Birdman and Erykah Badu in her music video for window seat Veteran cinematographer Roger Deakins, reminds take: [Mendes] sent me the script, and on the title page it was called this is called a single-shot , and I said to my wife, this must be a mistake ...
Little Women and 1917: Possible Oscar rivals get rave reviews
![Little Women and 1917: Possible Oscar rivals get rave reviews](https://ichef.bbci.co.uk/news/1024/branded_news/1647B/production/_109895219_reviews_split_columbia_univ.jpg)
... Cinematographer Roger Deakins pushes the single-take concept into new territory , The idea is wild enough, but to make it look this dazzling from moment to moment is something else entirely, she wrote...
Oscars 2019: All awards will be shown live after backlash
![Oscars 2019: All awards will be shown live after backlash](https://ichef.bbci.co.uk/news/1024/branded_news/8829/production/_105675843_gettyimages-927311476.jpg)
...Roger Deakins (r), who won his first Oscar for cinematography last year after 14 nominations, criticised the initial decision The organisers of the Oscars have reversed an earlier decision to hand out four awards during ad breaks after facing a major backlash...
1917: Faulty lighters and other problems with one-shot movies
George Mackay plays Lance Corporal Schofield in 1917
On The Surface , you might think, the war film of 1917 had little in common with The Music video for Wannabe by the Spice Girls
But you'd be wrong.
Sir Sam Mendes , two-hour World War II epic is remarkable only for its Oscar-dynamics and applause, But also for the fact that it was apparently shot in a continuous. No cutaways, no scene is missed, only a single, flowing shot.
The camera follows Lance Corporal Schofield and Blake (played by George Mackay and Dean-Charles Chapman), as they risk their lives by crossing enemy lines. The couple must provide in order to quit, a crucial message for their comrades to walk into a deadly trap.
your mission is a bit more dangerous than The One recorded in 1996 by the Spice Girls , followed by a single camera from room to room, as they caused chaos in a London hotel, But The Principle is the same.
"you want to lock The Audience , along with the protagonist, creating The Feeling that you can't get it," said Sir Sam, who also directed "American Beauty " and the James Bond films Skyfall and Spectre.
"But if we don't, The First preview screening, you could feel that visceral sense, The Audience , from moment to moment, and I think that is something to do with the One Shot , and the fact that you can feel, as time goes on. "
Sir Sam Mendes , also only a single shot for the opening sequence of SpectreBut this treatment is not without its problems.
Perhaps The Most problematic was most the moment of reception of 1917 , the Sir Sam as a "simple" gate" - a scene where a faulty support meant re-shooting the entire sequence.
"Andrew, in his only scene, more mistakes are made than anyone else," the Director lovingly jokes, based on Fleabag star Andrew Scott , who was required to light a cigarette during his brief appearance in the film.
"Never smoked, never," Scott takes. "In everything - On Stage , on the Screen - never use a lighter. "
Sir Sam expands: "you have seven minutes of magic, And Then , when someone stumbles, or a lighter doesn't work, or if an actor forgets a half-line, it means that none of them is usable, and you have to start again. "
Scott felt particularly bad, he plays a minor character, pointed out: "you need to work in addition to the camera team and the extras, But the big challenge is to not have that you want it nasty, because they are only in it for Five Minutes , you don't want the Guy . "
The cigarette behind Andrew Scott 's ear, caused all kinds of problems during the filming of work""There were days where we did see-saw between thinking 'why are we doing this to ourselves', and 'think this is the only way to work"" Sir Sam said. "The Feeling when you got it, was so great that she wanted to do it again. But there were some hard days. "
While only very few movies and music videos are trapped in a single, a bit of camera Tricks and clever editing it as you were.
As anyone who watched the recent BBC drama The Capture over know, something like a bus, the front of the camera is a clever way to make a cut or stitch together two takes, without The Audience noticing the transition.
The finished product makes it possible to feel The Audience as you go on a long and continuous journey with the Characters and it is a tactic that a lot in film and television.
end-to-end, Michael Keaton in Birdman and Erykah Badu in her music video for window seatVeteran cinematographer Roger Deakins , reminds take: "[Mendes] sent me The Script , and on the title page it was called 'this is called a single-shot', and I said To My wife, 'this must be a mistake'. We have many samples and a lot of Tests. it was not until a few days before the shoot that we felt it was makeable. "
you can Pull out of such a high-wire act, has paid for the film as early as 1917 and the beginning of This Week .
So, how many different shots were involved, just for you, sewn together to make the film seamless're looking for?
"That's a secret!", Deakins laughs. "But you can probably Work It out. We shot for about 65 days, and the longest lasts for around nine minutes, so you could do the math.
Sir , Sam said there were some "tough days" on set trying the technique perfectly"The biggest difficulty," he continues, "was always about the terrain, and some of these really intense, sensitive scenes, and make it all feel of a piece.
"So you're with a lot of Techniques - anti-roll-bar systems, wire-cameras - But I think for me the trick was to try and make it as a camera all the time. That was the biggest challenge. The and The Weather . "
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Source of news: bbc.com