
Snoo Wilson
Use attributes for filter ! | |
Gender | Male |
---|---|
Death | 11 years ago |
Date of birth | August 2,1948 |
Zodiac sign | Leo |
Born | Reading |
United Kingdom | |
Date of died | July 3,2013 |
Died | Ashford |
United Kingdom | |
Spouse | Ann McFerran |
Children | Patrick Wilson |
David Wilson | |
Jo Wilson | |
Job | Playwright |
Screenwriter | |
Theatre Director | |
Movies/Shows | Eichmann |
Shadey | |
Parents | Leslie Wilson |
Pamela Mary Wilson | |
Date of Reg. | |
Date of Upd. | |
ID | 551309 |
The grass widow
The Glad Hand
Lovesong of the Electric Bear
Connections 500: Blackout; Eclipse; What Are They Like?; Bassett; I'm Spilling My Heart Out Here; Gargantua; Children of Killers; Take Away; It Snows; The Musicians; Citizenship; Bedbug
Darwin's Flood
Spaceache
The soul of the white ant
Wilson Plays: 1
Wilson Plays: 2
Pignight & Blow Job
Inside Babel
I Crowley
The number of the beast
Greenish Man
Moonshine
The Works of Melmont
Vampire
The Pleasure Principle: The Politics of Love, the Capital of Emotion
Sabina
Thelemic Magick XC: Being the Proceedings of the Ninth International Symposium of Thelemic Magic, 22nd October 1994
More Light: A Play about the Heretic Giordano Bruno
The Glad Hand
Lovesong of the Electric Bear
Connections 500: Blackout; Eclipse; What Are They Like?; Bassett; I'm Spilling My Heart Out Here; Gargantua; Children of Killers; Take Away; It Snows; The Musicians; Citizenship; Bedbug
Darwin's Flood
Spaceache
The soul of the white ant
Wilson Plays: 1
Wilson Plays: 2
Pignight & Blow Job
Inside Babel
I Crowley
The number of the beast
Greenish Man
Moonshine
The Works of Melmont
Vampire
The Pleasure Principle: The Politics of Love, the Capital of Emotion
Sabina
Thelemic Magick XC: Being the Proceedings of the Ninth International Symposium of Thelemic Magic, 22nd October 1994
More Light: A Play about the Heretic Giordano Bruno
Snoo Wilson Life story
Andrew James Wilson, better known as Snoo Wilson, was an English playwright, screenwriter and director. His early plays such as Blow-Job were overtly political, often combining harsh social comment with comedy.