Stoika Milanova
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Gender | Female |
---|---|
Age | 79 |
Date of birth | August 5,1945 |
Zodiac sign | Leo |
Born | Plovdiv |
Bulgaria | |
Job | Violist |
Songs | Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque (Allegro Con Brio) |
Concerto for Piano, Violin and String Orchestra in D Minor: I. Allegro | |
Concerto for two violins in D minor, 2nd movement | |
Violin Concerto No. 1 in A Minor, Op. 77: III. Passacaglia (Andante) | |
Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne (Moderato) | |
Concerto for Violin and Piano in D minor: II. Adagio | |
Violin Concerto In E Minor, Op. 64: I. Allegro Molto Appassionato - Andante | |
J. S. Bach: Concerto for two violins in D minor, BWV1043 - III: Allegro | |
J. S. Bach: Concerto for two violins in D minor, BWV1043 - I: Allegro | |
J. S. Bach: Concerto for two violins in D minor, BWV1043 - II: Largo | |
Concerto for Violin, Piano and String Orchestra in D Minor: 2. Adagio | |
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino: Andante Assai | |
Violin Concerto in A Minor, Op. 82: I. Moderato | |
Concerto For Violin And Orchestra No. 1 In A Minor, Op. 77 - III. Passacaglia, Andante | |
Violin Concerto In E Minor, Op. 64: II. Allegretto Non Troppo - Allegro Molto Vivace | |
Violin Concerto in A Minor, Op. 82: II. Andante | |
Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro, Ben Marcato | |
Concerto for Violin and String Orchestra in D Minor: I. Allegro | |
J. S. Bach: Brandenburg Concerto No. 4 in G, BWV 1049 - 1. Allegro | |
Concerto for Violin and String Orchestra in D Minor: III. Allegro molto | |
J. S. Bach: Brandenburg Concerto No. 5 in D, BWV 1050 - 3. Allegro | |
Concerto for Piano, Violin and String Orchestra in D Minor: III. Allegro molto | |
1970 | |
Education | Moscow P. I. Tchaikovsky Conservatory |
State Music Academy "Prof. Pancho Vladigerov" | |
List | 1983 |
1970 | |
Date of Reg. | |
Date of Upd. | |
ID | 1781348 |
Stoika Milanova Life story
Stoika Milanova is a Bulgarian classical violinist and academic teacher. She was taught by her father using a method that he developed, and later by the violinist David Oistrakh.