Timberlake Wertenbaker
Use attributes for filter ! | |
Gender | Male |
---|---|
Age | 73 |
Date of birth | February 19,1951 |
February 19,1951 | |
Zodiac sign | Pisces |
Spouse | John Man |
Parents | Charles Wertenbaker |
Lael Tucker Wertenbaker | |
Job | Translator |
Playwright | |
Screenwriter | |
Librettist | |
Awards | Laurence Olivier American Airlines Award for Best New Play |
New York Drama Critics' Circle Award for Best Foreign Play | |
Critics' Circle Theatre Award for Best New Play | |
Guggenheim Fellowship for Creative Arts, US & Canada | |
Whiting Awards | |
Born | New York |
United States | |
Plays | Our Country's Good |
The Love of the Nightingale | |
The Line | |
Date of Reg. | |
Date of Upd. | |
ID | 551308 |
Credible Witness
The Break of Day
After Darwin
Our Ajax
Timberlake Wertenbaker: Plays 2
Winter Hill
My Father, Odysseus
The Magna Carta Plays
The Line
Plays Two
Midsummer Mischief: Four Radical New Plays
The Thebans
Timberlake Wertenbaker Plays 1: New Anatomies; Grace of Mary Traverse; Our Country's Good; Love of a Nightingale; Three Birds Alighting on a Field
What Is the Custom of Your Grief?
Euripides' Hippolytus: A New Version
Oedipus Tryannos
War and Peace: BBC Radio 4 Full-cast Dramatisation
The ash girl
The grace of Mary Traverse
Jefferson's Garden
New Anatomies
The Break of Day
After Darwin
Our Ajax
Timberlake Wertenbaker: Plays 2
Winter Hill
My Father, Odysseus
The Magna Carta Plays
The Line
Plays Two
Midsummer Mischief: Four Radical New Plays
The Thebans
Timberlake Wertenbaker Plays 1: New Anatomies; Grace of Mary Traverse; Our Country's Good; Love of a Nightingale; Three Birds Alighting on a Field
What Is the Custom of Your Grief?
Euripides' Hippolytus: A New Version
Oedipus Tryannos
War and Peace: BBC Radio 4 Full-cast Dramatisation
The ash girl
The grace of Mary Traverse
Jefferson's Garden
New Anatomies
Timberlake Wertenbaker Life story
Timberlake Wertenbaker is a British-based playwright, screenplay writer, and translator who has written plays for the Royal Court, the Royal Shakespeare Company and others. She has been described in The Washington Post as "the doyenne of political theatre of the 1980s and 1990s".